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THE MOST DAMAGING WOUND
by Blair Singer
Directed by Mark Armstrong


@ Manhattan Theatre Source
177 MacDougal Street NY, NY

November 7th - November 29th, 2008
8:00PM Wednesday - Saturday, 3:00PM Sat
(No show on Thanksgiving)


Buy Tickets online!




Check out promotional videos at our blog.
 
Cast & Production Staff | Photos | Reviews


The Cast
Alan Michael Szeles*
Kenny Ken Matthews
GG Michael Solomon*
Dicky Chris Thorn*
Bo Bard Goodrich*
Christine Megan McQuillan*

Production Staff
Director Mark Armstrong+
Scene Design April Bartlett
Lighting Design Dan Henry
Costume Design Deanna Frieman
Sound Design Barton Bishop
Fight Director Noah Starr
Stage Manager Jeff Meyers*
Technical Director Erik Grathwohl
Dramaturgical Consultant Jaime Green
Associate Producers Mary Cross, Matt Wolf
Publicity Katie Rosin

*Actors and Stage Manager appear courtesy of Actors’ Equity Association
+Member of the Society of Stage Directors and Choreographers, a national independent labor union

Reviews

"Every character is affectionately drawn... The play is clever, engrossing and skillfully directed by Mark Armstrong..." —New York Times

CRITIC'S PICK! "The cast, under Mark Armstrong's vigorous direction, shows real vitality and comic flair... this is very much an ensemble piece, with Singer's motley assemblage of characters revealing an underlying cohesion. We have no trouble believing that despite the disparate paths they've taken, these are real friends with a long and complicated history." —Backstage

"'We choose our friends by those who best understand our suffering,' asserts Blair Singer in his very funny and touching new play The Most Damaging Wound... Director Mark Armstrong does an amazing job staging this play in such a tiny playing area. His view of a boys' night out that turns into a rite of passage plays out perfectly... The cast is outstanding!" —nytheatre.com

"The result of all this outstanding acting, superb pacing, and impeccable direction is a show that is genuinely surprising. It's also incredibly personal, especially if you're sitting in the first row, stage left, a foot or so from the actors. Armstrong, who has worked in small spaces before, makes the most of the Manhattan Theater Source space" —That Sounds Cool

"Mark Armstrong's direction allows the drama and humor of the piece while keeping it all grounded in so believable and clear a reality that you could chart the rise of the liquor buzz just by how the actors move around the room." —Patrick Lee, Show Showdown

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